Alessandro Giuli (born 1975, pictured right), Italian Minister of Culture since September 2024, is a Traditionalist.
As a young man he belonged to a far-right group called Meridiano Zero, where Evola was read. In 1998 he published an article on Evola and esotericism in Studi Evoliani, the journal of the Fondazione J. Evola, edited by Gianfranco de Turris. In 2001 he helped the publication of a new edition of Evola’s Gli uomini e le rovine (Men Among the Ruins) by translating the introductory essay contributed by Alain de Benoist, the leading figure in the French New Right. In 2006 he again collaborated with de Turris, contributing a short interview with the political scientist and historian Giorgio Galli for a volume on Esoterismo e Fascismo (Esotericism and Fascism) that de Turris edited. In 2008 he gave a lecture on Evola at an anniversary conference in Genoa, and in 2022 contributed an appendix to an edition of the correspondence between Evola and the philosophers Benedetto Croce and Giovanni Gentile.
Also in 2022, shortly after a new right-wing government was formed under Giorgia Meloni, Giuli was appointed director of MAXXI, the National Museum of 21st Century [XXI] Art, by Gennaro Sangiuliano, the new minister of culture. Some objected that he had no experience in art. Then, after Sangiuliano had to resign because of a scandal involving an ex-girlfriend and possible misuse of official funds, Meloni appointed Giuli to succeed Sangiuliano as minister of culture, and to “continue the effort to revive national culture, consolidating the break with the past that Italians have asked for and that we have initiated since we took office.”
The question thus arises of to what extent Evola may help to "revive national culture." An argument that Evola matters (available here) was made shortly after Giuli's appointment as minister by Roberto de Mattei, a Catholic historian and blogger, on the basis of Giuli's Gramsci è vivo. Sillabario per un'egemonia contemporanea (2024, Gramsci lives: Syllabus for a contemporary hegemony). What worried de Mattei most was the anti-Catholicism that he found in this book, and which he traced, probably correctly, to Evola. Instead of the Catholic tradition, it is clear that Giuli wants to restore what he sees as the basis of the Italian genius loci (spirit of the place): Roman paganism. In Gramsci è vivo, Giuli calls on the Right to abandon “the irrational rhetoric of the barbarian at the gates” and to remember that ancient Rome was based on “culturally homogeneous but ethnically diverse populations.” The culture in question was Roman, not Christian. In this call one may also see an echo of Evola’s criticism of crudely biological racism.
Giuli's enthusiasm for Roman paganism is clear in his other publications. In 2011 he published a book entitled Venne la Magna Madre. I riti, il culto e l’azione di Cibele romana (Come the Great Mother. The rites, worship, and actions of the Roman Cybele). “Venne la Magna Madre” was a quotation from a poem by the Italian poet and hero of the First World War Gabriele D'Annunzio, referring to the Cybele, an Anatolian mother goddess known as Magna Mater (Great mother) in Rome. The book was primarily a historical study. In 2025 he published a collection of his earlier articles published as Antico presente. Viaggio nel sacro vivente (The ancient present: A journey into the living sacred), described in its blurb as “a journey through the stories of a past that is always present.”
Evola may also have been present in a speech that Giuli gave at the Frankfurt Book Fair, in which he described the roots of Italian culture as “what can be called solar thought: the meeting point between the rigidity of ideologies that dissolves in the noonday light of the Mediterranean spirit, the light so dear to the finest German aesthetic tradition.” The term “solar thought” was ascribed to Albert Camus in the official transcript of the speech released by the ministry, but for some journalists, Evola was the more likely source, and also for “Mediterranean spirit.”
Intention and effect are of course different things, especially in politics. To what extent Giuli will succeed in reviving pagan solar Mediterranean spirit in Italy remains to be seen.